MASH director Robert Altman dead
	Los Angeles: Robert Altman, a five-time Academy Award nominee for best director whose vast, eclectic filmography ranged from the dark war comedy M-A-S-H to the Hollywood farce The Player to the British murder mystery Gosford Park, has died of complications from cancer. He was 81. Altman died on Monday at Cedars-Sinai Medical Center, surrounded by his wife and children. He had worked with the disease for the last 18 months, including during the making of this year's A Prairie Home Companion, the director's Sandcastle 5 Productions in New York said in a statement. The death was a surprise, Sandcastle said. When he received a lifetime achievement Oscar in 2006, Altman revealed he'd had a heart transplant a decade earlier. “I didn't make a big secret out of it, but I thought nobody would hire me again,” he said after the ceremony. “You know, there's such a stigma about heart transplants, and there's a lot of us out there,” he added. Altman was to begin work on Hands on a Hardbody, a fictionalised version of the documentary about a Texas contest in which people stand around a pickup truck with one hand the vehicle, and whoever lasts the longest wins it. The film would have been vintage Altman. While he was famous for his outspokenness, which caused him to fall in and out of favor in Hollywood over his nearly six decades in the industry, he was perhaps even better known for his influential method of assembling large casts and weaving in and out of their story lines, using long tracking shots and intentionally having dialogue overlap. His most recent example of this technique, this year's A Prairie Home Companion, starred such varied performers as Lily Tomlin, Meryl Streep, Woody Harrelson, Kevin Kline and Lindsay Lohan. It was based on the long-running radio show from Garrison Keillor, who said Altman's love of film clearly came through on the set. “Mr Altman loved making movies. He loved the chaos of shooting and the sociability of the crew and actors, he adored actors and he loved the editing room and he especially loved sitting in a screening room and watching the thing over and over with other people,” Keillor, who also wrote and co-starred in the film, said. “He didn't care for the money end of things, he didn't mind doing publicity, but when he was working he was in heaven,” Keillor added. “He was very good at letting actors think that they had more control than they actually did,” said Prairie Home Companion co-star Tommy Lee Jones. “From a filmmaker's point of view, he had a great many lessons to teach, presence of mind and relaxation around the camera and planning, preparedness,” Jones added. Tim Robbins, who starred in the Player and also appeared in Short Cuts and the fashion-world comedy Pret-a-Porter, described Altman as "a great friend and inspiration to me since I had the honor of meeting him in 1990. His unique vision and maverick sensibilities in filmmaking have inspired countless directors of my generation and will continue to inspire future filmmakers." Altman received best-director Oscar nominations for M-A-S-H, Nashville, The Player, Short Cuts and Gosford Park. No director ever got more nominations without winning a competitive Oscar, though four other men, Alfred Hitchcock, Martin Scorsese, Clarence Brown and King Vidor, tied with Altman at five. Despite his longevity and the many big-name stars who've appeared in his films, Altman famously bucked the studio system and was often critical of its executives. One of his best-received films, the insiderish The Player, follows the travails of a studio executive being blackmailed by a writer. But amid all those critical hits were several commercial duds including The Gingerbread Man in 1998, Cookie's Fortune in 1999 and Dr T & the Women in 2000. His reputation for arrogance and hard drinking, a habit he eventually gave up, hindered his efforts to raise money for his idiosyncratic films. Julian Fellowes, the Oscar-winning screenwriter of 2001's Gosford Park, called the director “a force of nature”.